Jerry Pinkney
Jerry Pinkney (1939-2021) changed the course of children’s literature. He was a brilliant artist and storyteller whose books influenced not just millions of young readers, but an entire generation of up-and-coming illustrators. Many of his books were about the Black experience—something woefully missing from publishing. He broke through that barrier commercially and set a new course for the field. Pinkney had an affinity for fairytales and Aesop’s fables. He also reinterpreted popular stories that traded in racist stereotypes to create new classics like Uncle Remus and Sam and the Tigers.
Pinkney was a founding trustee of The Carle, and its 2014 Carle Honors Artist. The Museum has featured his work in multiple exhibitions, including Our Voice: Celebrating the Coretta Scott King Illustrator Awards, Let’s Talk! Animals from the Collection, and Speechless: The Art of Wordless Picture Books. For many years, Pinkney served on the Museum’s Collections Committee, where he led efforts to diversify holdings and look at children’s literature through the lens of representation. In 2023, his widow Gloria Jean Pinkney donated to The Carle all preliminary and published images from his 2020 book The Little Mermaid. The following year, the Museum proudly purchased Pinkney’s iconic cover illustration of his Caldecott Medal winning title, The Lion & the Mouse.
Here Pinkney’s well-dressed animals march across the book’s back and front covers (the empty space between them is for the book’s spine and title text). While the creatures inhabit a legendary world of folklore, Brer Rattlesnake’s direct stare and the sidelong glances of Brer Rabbit and Brer Fox indicate their awareness to our presence.
Pinkney’s narrative art is dense with detail and emotional resonance. In this scene from Uncle Remus, he portrays the blacksmith (a self-portrait of the artist) who has just captured Impty-Umpty in an iron box. Brer Rabbit, peering through an open window, witnesses the event. With pictures and words, Pinkney and author Julius Lester retain the spirit of the 19th-century African American folktales but rectify the racial stereotypes and associations to slavery.
Pinkney masterfully layered translucent watercolors for many of his artworks. Albidaro’s magnificent cloak glows as the Guardian of Children flies against the dark night sky towards dawn.